Vasily Petrenko and the RLPO thrill with early 19th-century classics

Por Phillip Nones, 20 abril 2021

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“I'm convinced that Beethoven himself would have heartily approved”

Crítica hecha desde Philharmonic Hall, Liverpool el 20 abril 2021

Mendelssohn, El sueño de una noche de verano, Op.61 (Overture, Nocturne and Scherzo)

Schubert, Overture in D major "in the Italian style", D.590

Beethoven, Sinfonía núm. 2 en re mayor, Op.36

Royal Liverpool Philharmonic Orchestra

Vasily Petrenko, Dirección

Frank Dupree’s Liverpool debut has the audience crying out for more

Glyn Mon Hughes, 14th May

Frank Dupree’s debut with the RLPO celebrates the 250th anniversary of the USA, with Liverpool audiences treated to sumptuous Copland and barn-storming performances of Gershwin and Duke Ellington.

*****

Era-defining string sound in the Liverpool Phil’s Mahler 9

Rohan Shotton, 10th May

Domingo Hindoyan nears his five-year anniversary at the RLPO with Mahler's Ninth Symphony.

****1

Dazzling Prokofiev from Alim Beisembayev and the RLPO

Peter Connors, 26th April

In an all-Russian programme in Liverpool, Alim Beisembayev gives a breathtaking performance of Prokofiev's fiendishly difficult Second Piano Concerto.

****1

Dependable Mozart and Mendelssohn from the RLPO

Glyn Mon Hughes, 16th April

Aurel Dawidziuk and the Royal Liverpool Philharmonic Orchestra explore darkness and light, although the drama does not always bringing the audience to the edge of its collective seat.

***11

Paul Lewis balances delicacy with power in understated RLPO Beethoven

Glyn Mon Hughes, 12th March

Understatement is key in Paul Lewis' interpretation of Beethoven's Third Piano Concerto with the Royal Liverpool Philharmonic under Adam Hickox.

***11

Domingo Hindoyan's warm Bruckner 6 beguiles Liverpool

Peter Connors, 5th February

Schubert and Saint-Saëns provide an elegant first half before a change of tone and pace with Bruckner's Sixth Symphony.

****1

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Phillip Nones

Phillip Nones studied piano from age six, also playing percussion in educational and civic groups before moving to a rural area of the USA in 1990, where performance opportunities were few. Recently he has started performing again, participating in “side-by-side” orchestra performances and playing percussion in the World Doctors' Orchestra. His personal collection of music includes over 5,000 classical albums in all formats (CDs, LPs, 78s), plus downloads. In his professional life, he heads up a marketing communications firm in the state of Maryland. He blogs about the French composer Florent Schmitt here.