En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Pärt

La interpretación de Dueñas conjugó un derroche de técnica violinística con el máximo respeto a la esencia musical y a la belleza de las líneas casi cantables de una obra en la que hay mucho más que deslumbrantes pirotecnias.

En el marco del quincuagésimo aniversario del movimiento estudiantil del 68, la OFUNAM nos ofreció un programa cuidadosamente elegido, con tres obras que pasaron de la explícita conmemoración de lo sucedido el 2 de octubre de 1968 en Tlatelolco a una reflexión optimista sobre la permanencia de la vida, y de la música, a pesar de la muerte y las atrocidades humanas.

El último concierto de abono del 2017 de la BOS llevó al Palacio Euskalduna el espíritu navideño junto a la Sociedad Coral de Bilbao, Naroa Intxausti y José Antonio López.

La OCNE apuesta por acercar la música clásica a nuevos públicos con obras de Bach y Arvo Pärt en un espacio emblemático, el Museo Reina Sofía

El primer concierto de la Carta blanca dedicada a Arvo Pärt trae a Madrid dos obras bien conocidas del compositor estonio junto con dos de sus creaciones más recientes.

While Kalle Randalu proves an amiable soloist in the First Piano Concerto, it is Beethoven the firebrand who startles in Paavo Järvi's account of the First Symphony with the Tallinn Chamber Orchestra.

The Bergen Phil and the Edvard Grieg Choir trace music from Elizabethan themes to 20th century works on them, culminating in Pärt's Cantus in Memory of Benjamin Britten.

“Your love affair with ballet, your time with ballet, is short,” explains Welsh about his ballet Bespoke, “Eventually you lay down, and dance keeps moving. It’s a bittersweet thing.”

A portrait concert of music by Arvo Pärt, while single-mindedly contemplative in tone, proves surprisingly absorbing in the hands of his most authoritative interpreters.

Aurora Orchestra prove too muscular for accompanying voices in Wigmore Hall, but Stephenson's setting of Rimbaud's poetry is impressive.

Les Violons du Roy ont permis aux mélomanes de Québec de découvrir la mezzo-soprano britannique Christine Rice, qui a ébloui dans un répertoire allant de Purcell à Britten.

Paavo Järvi launches his tenure as Chief Conductor of Zurich’s fine Tonhalle Orchestra with works by Arvo Pärt and Jean Sibelius.

The underground crypt came alive with hymns and avowals for piano and cello in a program entitled “The Instant and the Eternal”.

Aux Rencontres musicales de Vézelay, Léo Warynski a dirigé Les Métaboles dans un programme a cappella admirable en tout point.

Der Niederländische Rundfunkchor gibt der Musik einen spielerisch-lebendigen Charakter und beeindruckt mit klarer Diktion und feinem Klang.

Mit „Midnight Sun” präsentiert die Baltic Sea Philharmonic ein spezielles Konzertkonzept, bei dem die Werke nicht einfach hintereinander gespielt wurden.

Paavo Järvi brought pathos and nuance to Sibelius' Violin Concerto and Tchaikovsky's Sixth Symphony. 

London's new Centre for Music has much to learn from the Big Apple's mistakes.

Sergei Babayan sucht das Verborgende und begeistert mit einem kreativen Programm des Münchner Publikum.

A seamless aesthetic of elegant and fluid dance, impressive musicality and impactful design 

For their 2019 season-opener, Tognetti and the ACO collaborate with the Estonian Philharmonic Chamber Choir to give a meditative, quasi-religious program centred on Bach and Pärt.

Les Musicales de Croissy invitent le harpiste russe Sacha Boldachev. Un récital saisissant qui nous transporte dans des contrées vertigineuses et parfois encore inexplorées de ce bel instrument.

Au milieu d'un week-end « Spirit », Martha Argerich était invitée à donner le Premier Concerto de Liszt. Pärt et Schubert étaient également au programme, par l'Orchestre symphonique de Lucerne.

Arvo Pärt a fait le déplacement à la Philharmonie pour cette soirée entièrement consacrée à sa musique, avec l'Orchestre de chambre de Tallinn et le Chœur philharmonique de chambre d'Estonie.

Die Baltic Sea Philharmonic bringt mit ihrem Programm baltischer Komponisten den Puls des Nordens in den Münchner Herkulessaal.

Edinburgh Fringe’s late-night candlelit atmosphere: a packed St Patrick’s for a lovely Fauré Requiem from St Andrew Camerata and beautiful and haunting The Last Exit for soprano and clarinet at Old St Paul’s.

Der estnische Dirigent bringt mit seinem jungen Estonian Festival Orchestra eines seiner traditionellen Programme nach Hamburg.

The Estonian Festival Orchestra makes its Proms debut in a refreshing Baltic-Nordic programme.

A generous programme by Alban Gerhardt and Víkingur Ólafsson saw a tale of two halves, with the classical poise of the first half and the more extrovert showpieces of the second. 

Die Sinfonietta Rīga unter Sigvards Kļava überzeugte im Kissinger Max-Littmann-Saal mit einer sehr verinnerlichten Aufführung von Schlüsselwerken Arvo Pärts

The Latvian Radio Choir, coupled with the Sinfonietta Rīga Orchestra under the conductor Sigvards Kļava give an ethereal rendition of four contemporary Latvian composers in Riga Cathedral.

A mix of new and tried and tested works by Karole Armitage, Jacqulyn Buglisi, Carolyn Dorfman and Jennifer Muller

Imaginative Bach and an exciting new work by Dobrinka Tabakova played by the Amsterdam Sinfonietta with pianists Ferhan and Ferzan Önder.

Hugo Ticciati and Víkingur Ólafsson explore notions of time, but a lesson in mindful performance comes from the gravity-defying Sanddorn Balance act.  

Phoenix Dance Theatre collides with the headlines with their mixed programme at Sadler's Wells.

It takes artistic invention and considerable courage to design a concert programme solely around tragic topics; yet the connecting link between the various items on the last subscription concert by the Australian Chamber Orchestra was – directly or indirectly – death and great composers’ reaction to it.

Superstar husband-and-wife team, renowned violinist Vadim Repin and "tsarina of the dance" Svetlana Zakharova, go on a date and take us with them. The music fared much better than the ballet.

Paavo Järvi conducted the Estonian Festival Orchestra that he founded in select works by Northern composers.

The Scottish Ensemble is joined by I Fagiolini in a Winter Chorale linking ancient and modern music for Advent and Christmas. 

What is it about Arvo Pärt’s ‘Angel Music’ that appeals to the dying? Vanishing Point’s theatre and Scottish Ensemble’s playing combine to produce a thoughtful and poignant performance.  

Is there anything Tiler Peck can’t do? After her just completed triumph in Swan Lake we’re obliged to say no.

Four years ago, the ACO mounted The Reef. Mountain is clearly its successor: another film project involving scenes of nature peopled by extreme-sports enthusiasts, screened while an eclectic soundtrack is played live by the orchestra.

BalletNOW returns to the Glorya Kaufman Presents Dance at the Music Center in Los Angeles. The production features dancers from six different major ballet companies, but fails to impress.

A l’occasion de la 13° édition des Etés de la Danse, l'Alvin Ailey American Dance Theater prend ses quartiers à la Seine Musicale.

Programme puis projet de plus grande envergure conçu par Joyce DiDonato après les attentats de novembre 2015 à Paris, ce récital repris cette saison dans "Les Grandes Voix" aux côtés de l'orchestre Il Pomo d'Oro dirigé par Maxim Emelyanychev résonne de façon significative avec l'actualité et propose de repenser la question de la paix autant que celle de l'expérience du concert.

Stravinsky and Arvo Pärt’s modernism trumps Rachmaninov’s romanticism with the Hong Kong Sinfonietta. 

CSO concertmaster Robert Chen took the spotlight in two 20th-century works with Neeme Järvi conducting; anchoring the program was Beethoven’s Pastoral.

Avec Fratres et Tabula Rasa, c’est un nouveau chemin qui s’ouvre à la musique. Mais plus qu’un chemin de la nouveauté, c’est le chemin d’un retour à une certaine forme de pureté de l’inspiration, qui passe dans l’écriture et la réalisation par une économie de moyens. 

A world premiere that gives yet more credence to the burgeoning reputation of Crystal Pite for creating absorbing mass movement of considerable beauty