Williamson breaks new ground with BRB

Por Philippa Newis, 17 junio 2018

Descargando, espere, por favor...

Ver la programación

“Williamson crafts something that releases the genre to say something new without losing its identity”

Crítica hecha desde Sadler's Wells Theatre, Londres el 15 junio 2018

In the Upper Room (Twyla Tharp)

Kin (Alexander Whitley)

Embrace (George Williamson)

Birmingham Royal Ballet

Brandon Lawrence, Bailarín

Max Maslen, Bailarín

Matthews Delia, Bailarín

Jenna Roberts, Bailarín

Céline Gittens, Bailarín

American Ballet Theatre: Twyla Tharp still has it!

Ivy Lin, 15th October

Twyla@60: A Tharp Celebration is an overall triumph though not just for Tharp, but for Susan Jaffe’s vision for American Ballet Theatre.

****1

Twyla Tharp's Diamond Jubilee: disappointments and delights

Ivy Lin, 12th March

Despite my reservations about Diabelli, there is no doubt Twyla Tharp is one of the most inventive, adventurous voices in dance still (and she's 83). She deserves her flowers.

****1

Kingdom of the Shades is a company's ultimate test

Ivy Lin, 27th October

Artistic Director, Susan Jaffe, reviving the Kingdom of the Shades for ABT’s Fall Season was both a testament to her trust in her company, and also a test.

****1

American Ballet Theatre captivates in a thrilling triple bill

Ivy Lin, 20th October

Just as there can never be a bad performance of Serenade, there are no bad performances of In the Upper Room. It practically dances itself.

****1

Twyla Tharp: still cool after all these years

Ivy Lin, 13th February

Two world premieres and a piece created in 1975. Tharp herself came onstage to raucous applause. She might be “pop dance”, but audiences love it.

*****

Alvin Ailey American Dance Theater's Modern Masters: explosive style

Deborah Weiss, 6th September

Alvin Ailey American Dance Theater proves its versatility in this Sadler's Wells programme, confirming its place as one of the world's greatest dance companies.

****1

Más críticas...

Philippa Newis

Philippa Newis has a Masters degree in Dance. She works as a conciliator specialising in industrial relations. She is passionate about increasing participation in dance and has a strong interest in writing about emerging dance artists and choreographers.

Williamson breaks new ground with Birmingham Royal Ballet