Fleeting happiness: Robert Carsen's Tote Stadt at the Komische Oper

Por Hugo Shirley, 08 octubre 2018

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“obsessed with obsession... orchestral textures dripping with decadence”

Crítica hecha desde Komische Oper Berlin, Berlín el 6 octubre 2018

Korngold, Die tote Stadt (The Dead City)

Komische Oper Berlin

Ainārs Rubiķis, Dirección

Robert Carsen, Dirección de escena

Michael Levine, Diseño de escena

Petra Reinhardt, Diseño de vestuario

Aleš Briscein, Paul

Sara Jakubiak, Marietta

Günter Papendell, Frank, Fritz

Maria Fiselier, Brigitta

Georgia Melville, Juliette

Ivan Turšić, Graf Albert

Adrian Strooper, Victorin

Chor der Komischen Oper Berlin

Orchester der Komischen Oper Berlin

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Hugo Shirley

Hugo Shirley is a Berlin-based writer and musicologist. He has written widely as a critic in the UK, including for The Spectator, the Financial Times and Daily Telegraph, and has held editorial posts at both Opera and Gramophone. He was editor of 30-Second Opera (Ivy Press, 2015) and has a PhD in musicology from King's College London, where his thesis focused on Strauss and Hofmannsthal’s Die Frau ohne Schatten.