Masks and obsessions: Evgeny Titov’s Salome at Komische Oper Berlin

Salome at Komiscje Oper Berlin

Matthias Wohlbrecht (Herodes)

Nicole Chevalier (Salome)

Salome at Komische Oper Berlin

Agustín Gómez (Narraboth) and Karolina Gumos (Herodias)

Por Zenaida des Aubris, 24 noviembre 2025

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“Titov’s dramaturgy leans toward stark symbolism, sometimes to the point of austerity”

Crítica hecha desde Schillertheater: Großer Saal, Berlín el 22 noviembre 2025

Strauss R., Salomé

Komische Oper Berlin

James Gaffigan, Dirección

Evgeny Titov, Dirección de escena

Rufus Didwiszus, Diseño de escena

Esther Bialas, Diseño de vestuario

Sebastian Alphons, Diseño de iluminación

Nicole Chevalier, Salome

Karolina Gumos, Herodias

Matthias Wohlbrecht, Herodes

Agustín Gómez, Narraboth

Günter Papendell, Jochanaan

Susan Zarrabi, Herodias' Page

Ivan Turšić, 1st Jew

Johannes Dunz, 2nd Jew

Thoma Jaron-Wutz, 3rd Jew

Ferdinand Keller, 4th Jew

Andrew Nolen, 5th Jew

Junoh Lee, 1st Nazarene

Christoph Späth, 2nd Nazarene

Philipp Meierhöfer, 1st Soldier

Andrew Harris, 2nd Soldier

Martina Borroni, Coreografía

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****1

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****1

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****1

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With a brand new production by Barrie Kosky, Komische Oper Berlin's first venture into the Sondheim repertoire mostly falls flat.

**111

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****1

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****1

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Zenaida des Aubris

Zenaida des Aubris, based in Berlin, has over 30 years experience in artist management and production of classical music and opera in the United States, Europe and Asia. Currently, she offers consultation to music competitions and schools as well as to individual recent graduates on how to manage themselves and kickstart their careers through her company Opera Career Advice.

Masks and obsessions: Evgeny Titov’s incisive Salome at Komische Oper Berlin