Datos
| Address | Trafalgar Square Londres Greater London WC2N 4JJ Reino Unido |
| Google maps | 51° 30' 31.833" N 0° 7' 37.306" W |
Próximos eventosVer más...
LondresASMF with Arthur and Lucas Jussen
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Prokofiev, Mozart, Bach, Haydn
Academy of St Martin in the Fields; Tomo Keller; Arthur Jussen; Lucas Jussen
LondresSiren Songs and Serenades: LMP with Ben Goldscheider
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Clyne, Britten, Mendelssohn
Jonathan Bloxham; Ben Goldscheider; Laurence Kilsby; Simon Blendis
LondresSally Beamish 70th Birthday Concert with Michael Collins
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Bach, Beamish, Respighi
Academy of St Martin in the Fields; Michael Collins
Últimas críticasVer más...
Murderous madrigalist: Death of Gesualdo a treat for eyes and ears
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Agony, ecstasy and a double murder: Bill Barclay and The Gesualdo Six combine for a theatrical concert celebrating the life – and death – of the Renaissance composer.
The London Mozart Players’ flight of fancy soars to Heaven’s Gate
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Delightful Dvořák and ravishing Vaughan Williams headline the London Mozart Players’ ‘Flights of Fancy’ concert at St Martin's-in-the-Fields.
Avi Avital charms and disarms in Clyne and Bach
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The Academy of St Martin in the Fields are back on their home turf for string orchestra works by Tippett and Walton.
Top Mozart from Kristian Bezuidenhout and The English Concert
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A scintillating account of an all-Mozart programme at St Martin-in-the-Fields with a mighty concerto, a mightier symphony and one of his more unusual overtures.
Animated seasonal Vivaldi from Apollo’s Fire
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Has St Martin-in-the-Fields ever heard a more polished performance of that Baroque evergreen, The Four Seasons?
A luminous start to Rachmaninov's anniversary year from Tenebrae
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Nigel Short's elite consort casts a candlelit spell at St Martin-in-the-Fields in a performance of Rachmaninov's All Night Vigil.
Gardiner and the English Baroque Soloists roll back the centuries
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Refined if sometimes raucous pleasures from Haydn and Mozart as the EBS continues its European tour.
Exalted Messiah: The Sixteen and Harry Christophers
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How do you conduct the same over-familiar work for the 200th time, and make it sound quite new?