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Veranstaltungsort: St Martin-in-the-Fields, London

Kurzprofil
AdresseTrafalgar Square
London
WC2N 4JJ
Vereinigtes Königreich
Google maps51° 30' 31.833" N 0° 7' 37.306" W
Mai 2026
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04050607080910
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Abendvorstellung
Matinee
Veranstaltungstippsmehr...

LondonSiren Songs and Serenades: LMP with Ben Goldscheider

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Clyne, Britten, Mendelssohn Bartholdy
Jonathan Bloxham; Ben Goldscheider; Laurence Kilsby; Simon Blendis

LondonSally Beamish 70th Birthday Concert with Michael Collins

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Bach, Beamish, Respighi
Academy of St Martin in the Fields; Michael Collins
Neue Kritikenmehr...

Murderous madrigalist: Death of Gesualdo a treat for eyes and ears

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Agony, ecstasy and a double murder: Bill Barclay and The Gesualdo Six combine for a theatrical concert celebrating the life – and death – of the Renaissance composer.
****1
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The London Mozart Players’ flight of fancy soars to Heaven’s Gate

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Delightful Dvořák and ravishing Vaughan Williams headline the London Mozart Players’ ‘Flights of Fancy’ concert at St Martin's-in-the-Fields. 
****1
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Avi Avital charms and disarms in Clyne and Bach

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The Academy of St Martin in the Fields are back on their home turf for string orchestra works by Tippett and Walton. 
*****
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Top Mozart from Kristian Bezuidenhout and The English Concert

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A scintillating account of an all-Mozart programme at St Martin-in-the-Fields with a mighty concerto, a mightier symphony and one of his more unusual overtures.
*****
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Animated seasonal Vivaldi from Apollo’s Fire

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Has St Martin-in-the-Fields ever heard a more polished performance of that Baroque evergreen, The Four Seasons?
****1
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A luminous start to Rachmaninov's anniversary year from Tenebrae

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Nigel Short's elite consort casts a candlelit spell at St Martin-in-the-Fields in a performance of Rachmaninov's All Night Vigil.
****1
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Gardiner and the English Baroque Soloists roll back the centuries

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Refined if sometimes raucous pleasures from Haydn and Mozart as the EBS continues its European tour. 
****1
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Exalted Messiah: The Sixteen and Harry Christophers

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How do you conduct the same over-familiar work for the 200th time, and make it sound quite new?
*****
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