Buscador de conciertos de música clásica, óperas, espectáculos de ballet y danza
Datos
| Compositor | Sibelius, Jean (1865-1957) |
| Periodo | Principios de s.XX |
| Año | 1907 |
| Tipo de obra | Orchestral |
Próximos eventosVer más...
GatesheadSheku Kanneh-Mason plays Saint-Saëns
Loading image...
Grieg, Saint-Saëns, Sibelius
Royal Northern Sinfonia; Dinis Sousa; Sheku Kanneh-Mason
KendalSheku Kanneh-Mason plays Saint-Saëns
Loading image...
Grieg, Saint-Saëns, Sibelius
Royal Northern Sinfonia; Dinis Sousa; Sheku Kanneh-Mason
EstocolmoA Walk to Sibelius
Loading image...
Britten, Bartók, Byström, Sibelius
Swedish Radio Symphony Orchestra; Dinis Sousa; Pierre-Laurent Aimard
Últimas críticasVer más...
La Sinfónica de Tenerife brilla con un programa de música nórdica
Catherine Larsen-Maguire dirigió la Sinfónica de Tenerife en un brillante concierto en el que deslumbró también la flauta de Adam Walker.
Mischievous Pan at Hong Kong Sinfonietta’s French May
Loading image...
French clarinettist Raphaël Sévère unearths beauty in Nielsen’s concerto and the Hong Kong Sinfonietta impress in two settings of Pan’s antics at the French May Festival.
Magnificent Beethoven and Sibelius, intriguing Nørgård in Manchester
Loading image...
Per Nørgård’s Eighth Symphony is the unusual opener in a programme of magnificent Beethoven and Sibelius from the BBC Philharmonic, Paul Lewis and John Storgårds at the Bridgewater Hall.
Próximos eventosVer más...
EstocolmoSibelius Symphony no. 3
Loading image...
Sibelius: Sinfonía núm. 3 en do mayor, Op.52
Royal Stockholm Philharmonic Orchestra; Sakari Oramo
EstocolmoSibelius Symphony No. 3

Moberg, Sibelius
Royal Stockholm Philharmonic Orchestra; Emilia Hoving
DallasSibelius’ Symphony no. 3

Beethoven, Renié, Jarrett, Sibelius
Dallas Symphony Orchestra; John Storgårds; Emily Levin
Latest articles
Sibelius’ Third and Fourth Symphonies: an exploration
Loading image...
Sibelius wrote to a friend: ‘after hearing my third symphony Rimsky-Korsakov shook his head and said: Why don’t you do it the usual way; you will see that the audience can neither follow nor understand this’. Such comments summarised much of the critical reaction to this symphony and also to the Fourth.
