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Obra: Sinfonía núm. 3 en do mayor, Op.52

Buscador de conciertos de música clásica, óperas, espectáculos de ballet y danza
Datos
CompositorSibelius, Jean (1865-1957)
PeriodoPrincipios de s.XX
Año1907
Tipo de obraOrchestral
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MiddlesbroughSheku Kanneh-Mason plays Saint-Saëns

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Grieg, Saint-Saëns, Sibelius
Royal Northern Sinfonia; Dinis Sousa; Sheku Kanneh-Mason

GatesheadSheku Kanneh-Mason plays Saint-Saëns

© No credit
Grieg, Saint-Saëns, Sibelius
Royal Northern Sinfonia; Dinis Sousa; Sheku Kanneh-Mason

KendalSheku Kanneh-Mason plays Saint-Saëns

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Grieg, Saint-Saëns, Sibelius
Royal Northern Sinfonia; Dinis Sousa; Sheku Kanneh-Mason
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La Sinfónica de Tenerife brilla con un programa de música nórdica

Catherine Larsen-Maguire dirigió la Sinfónica de Tenerife en un brillante concierto en el que deslumbró también la flauta de Adam Walker.

Mischievous Pan at Hong Kong Sinfonietta’s French May

Olari Elts conducts the Hong Kong Sinfonietta © HK Sinfonietta Ltd
French clarinettist Raphaël Sévère unearths beauty in Nielsen’s concerto and the Hong Kong Sinfonietta impress in two settings of Pan’s antics at the French May Festival.

Magnificent Beethoven and Sibelius, intriguing Nørgård in Manchester

Paul Lewis, John Storgårds and the BBC Philharmonic Orchestra © Chris Payne
Per Nørgård’s Eighth Symphony is the unusual opener in a programme of magnificent Beethoven and Sibelius from the BBC Philharmonic, Paul Lewis and John Storgårds at the Bridgewater Hall. 
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EstocolmoSibelius Symphony no. 3

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Sibelius: Sinfonía núm. 3 en do mayor, Op.52
Royal Stockholm Philharmonic Orchestra; Sakari Oramo

EstocolmoSibelius Symphony No. 3

Stockholms Konserthusstiftelse
Moberg, Sibelius
Royal Stockholm Philharmonic Orchestra; Emilia Hoving

DallasSibelius’ Symphony no. 3

Listing filler
Beethoven, Renié, Jarrett, Sibelius
Dallas Symphony Orchestra; John Storgårds; Emily Levin
Latest articles

Sibelius’ Third and Fourth Symphonies: an exploration

Cover image of the score for Sibelius' Third and Fourth Symphonies © Public domain
Sibelius wrote to a friend: ‘after hearing my third symphony Rimsky-Korsakov shook his head and said: Why don’t you do it the usual way; you will see that the audience can neither follow nor understand this’. Such comments summarised much of the critical reaction to this symphony and also to the Fourth.