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Work: Symphony no. 3 in C major, Op.52

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Fact file
ComposerSibelius, Jean (1865-1957)
PeriodEarly 20th century
Year1907
Work typeOrchestral
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MiddlesbroughSheku Kanneh-Mason plays Saint-Saëns

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Grieg, Saint-Saëns, Sibelius
Royal Northern Sinfonia; Dinis Sousa; Sheku Kanneh-Mason

GatesheadSheku Kanneh-Mason plays Saint-Saëns

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Grieg, Saint-Saëns, Sibelius
Royal Northern Sinfonia; Dinis Sousa; Sheku Kanneh-Mason

KendalSheku Kanneh-Mason plays Saint-Saëns

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Grieg, Saint-Saëns, Sibelius
Royal Northern Sinfonia; Dinis Sousa; Sheku Kanneh-Mason
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Mischievous Pan at Hong Kong Sinfonietta’s French May

Olari Elts conducts the Hong Kong Sinfonietta © HK Sinfonietta Ltd
French clarinettist Raphaël Sévère unearths beauty in Nielsen’s concerto and the Hong Kong Sinfonietta impress in two settings of Pan’s antics at the French May Festival.
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Magnificent Beethoven and Sibelius, intriguing Nørgård in Manchester

Paul Lewis, John Storgårds and the BBC Philharmonic Orchestra © Chris Payne
Per Nørgård’s Eighth Symphony is the unusual opener in a programme of magnificent Beethoven and Sibelius from the BBC Philharmonic, Paul Lewis and John Storgårds at the Bridgewater Hall. 
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Humanity wins: István Várdai plays Shostakovich at the Concertgebouw

István Várdai © Marco Borggreve
Nicholas Collon conducts the Finnish Radio Symphony Orchestra in a ZaterdagMatinee programme designed to celebrate Finnish Independence Day. 
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StockholmSibelius Symphony no. 3

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Sibelius: Symphony no. 3 in C major, Op.52
Royal Stockholm Philharmonic Orchestra; Sakari Oramo

StockholmSibelius Symphony No. 3

Stockholms Konserthusstiftelse
Moberg, Sibelius
Royal Stockholm Philharmonic Orchestra; Emilia Hoving

DallasSibelius’ Symphony no. 3

Listing filler
Beethoven, Renié, Jarrett, Sibelius
Dallas Symphony Orchestra; John Storgårds; Emily Levin
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Sibelius’ Third and Fourth Symphonies: an exploration

Cover image of the score for Sibelius' Third and Fourth Symphonies © Public domain
Sibelius wrote to a friend: ‘after hearing my third symphony Rimsky-Korsakov shook his head and said: Why don’t you do it the usual way; you will see that the audience can neither follow nor understand this’. Such comments summarised much of the critical reaction to this symphony and also to the Fourth.