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Quatuor Bozzini is the headline act in a star-studded tribute to a modern master.

Music We’d Like to Hear, an annual series of concerts curated by the composers Markus Trunk, John Lely and Tim Parkinson, has reached its ninth year of sharing an eclectic, often esoteric selection of experimental music with its small but loyal following.

There is a certain style of composition with which I’ve crossed paths sporadically over the past ten years that I’ve never been able to pin a label on. My first exposure to this style came in the form of Morton Feldman’s music, particularly his late pieces, followed by German composer Peter Ablinger and even some composers in my own acquaintance here in New York City.

Pluralistische Darbietung der zeitgenössischen Musik: Das exzentrische Eröffnungskonzert der MaerzMusik, Liquid Room, lockte mit 21 Musikstücken in 5 Stunden.