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The feeling at the end of the evening was one of triumph, with the future of the Martha Graham Dance Company looking as optimistic as the frontier couple in Appalachian Spring.

Experiments in music and ideas brought together by the London Sinfonietta and guests at a special concert all about space and time.

Philippe Quint programmes an invigorating menu in Seattle, taking its inspiration from Leonard Bernstein. 

Although Michael Tilson Thomas's reading of Mahler's First Symphony left a little to be desired, Jeremy Denk joined them for an utterly convincing reading of Cowell's Piano Concerto. 

Few choreographers can match Mark Morris and his dancers for exuberant beauty or musical savvy.

Mark Morris Dance Group present an excellent Programme B (with the dazzling Festival Dances) at London Sadler’s Wells. 

The centrepiece of Nonclassical’s “Pioneers of Percussion” festival was a rousing marathon of a concert at Scala, a large (mostly) rock venue near King’s Cross. It was a rich, varied, high-energy, happily chaotic affair that lasted into the wee hours of the morning.

This week The Cleveland Orchestra and Cleveland Museum of Art, two iconic cultural brands in the city, collaborated on a two-concert series at the museum of music by composers who based their careers in California. The orchestra’s assistant conductor, James Feddeck, conducted the concerts in the museum’s intimate Gartner Auditorium.

Faced with ageing audiences, dwindling funding and slashed budgets, many fine orchestras feel besieged at home these days, let alone being able to embark on costly tours overseas – all the more reason why the San Francisco Symphony’s ambitious tour of six cities in Asia is a cause for celebration.

The loosely-affiliated Metropolitan Museum Artists in Concert, now in its ninth season at the museum, illustrates all that is good about music-making among friends – and even family members. Two sets of siblings and numerous old friends were on stage for a concert of music inspired by the completion of the museum’s new wing of American art.

Bravo to Michael Tilson Thomas and the San Francisco Symphony for blowing the dust off of some of the boldest innovators America has produced. As part of a mini-festival at Carnegie Hall of 20th- and 21st-century composers who stretched musical and formal boundaries (to put it mildly), the program on Tuesday night was packed with rarely-played wonders.

La Martha Graham Dance Company mantiene viva la figura de su revolucionaria creadora y resulta una suerta casi inmerecida el poder poder apreciar a esta compañía, que por estos días llena de aplausos y bravos el Teatro Real de Madrid.