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Short, but nonetheless entertaining, the lunchtime series at St George’s, Bristol put on a show with the final of their Hidden Haydn concerts. The programme was designed to explore the lost and less frequently played works of Franz Joseph Haydn (1832-1809), with a couple of treats from less well-known composers thrown in.

Vom subtilsten Pianissimo bis zum pfeifenden Fortissimo, von warmer Tiefe bis zu scharf klingender Höhe, immer ist Emmanuel Pahuds Ton ausgesprochen tragend, substanz- und charaktervoll, die Intonation perfekt.