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Countertenor Reginald Mobley and the Academy of Ancient Music shine in an alternative history of English Baroque, with a new work by Roderick Williams. 

Kitty Whately’s parents, Kevin Whately and Madelaine Newton, joined the mezzo and pianist Joseph Middleton, reading poetry to illuminate the themes of the song groups.

The 2016 Proms come to a riotous close at the Royal Albert Hall.

Two little-known 18th-century operas are given inventive new productions featuring some promising young singers.

Young ensemble demonstrates their maturity at the Valletta International Baroque Festival.

Flags, balloons and musical revelry bring the BBC Proms season to a close. 

Sakari Oramo takes the reins for his first Last Night of the Proms, alongside dazzling violinist Janine Jansen and the BBC Symphony Orchestra.

The two works in Guildhall School’s Baroque opera double bill, Thomas Arne’s The Cooper and Stradella’s San Giovanni Battista had little in common except that both are rarely performed, yet somehow made quite good bedfellows. 

The Last Night of the Proms provided a welcome tying-up of the various strands that have permeated this year’s season: British light music, the 60th anniversary of the Coronation, a host of premières and new BBC commissions, and the significant anniversaries of a number of composers (including the big-hitters of the season, Wagner and Britten).

Believe all the hype: Greg Anderson and Elizabeth Joy Roe—more famously called Anderson and Roe—are electric. At Galapagos Art Space in Brooklyn, this piano duo did more than celebrate the launch of their new album; they fashioned an entirely new concert experience.

Those happy to brand the British Isles as the "land without music" for the time between Purcell and Britten might have cause to rethink if they audited the vintage of London of the late 1760s. Johann Christian Bach, the youngest of Johann Sebastian's sons, moved to England in 1765, helped along by the expatriated Carl Friedrich Abel, with whom he shared a house on Meard Street in Soho.

The Last Night of the Proms isn't really a concert: it's more like going to the cast party for the Proms season.

I have to confess that an event like this is not within my normal musical radar. My music reviewing and listening is predominantly serious classical, and most of it is for a specialist part of that wide repertoire. So it was a slightly brave, or foolhardy, idea to offer to review one of these musical spectaculars at my local castle.

Early music ensembles have become an established feature in the late night prom slot. In the calm and relaxed late night setting, the warm, articulate sound of period instruments can create a wonderful intimacy within the vast space of the Royal Albert Hall.