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Centuries after her beheading by her English cousin, Mary Stuart remains a potent symbol of Scottish exceptionalism and historical grievance. Weak production design weighs down Sophie Laplane's imaginative choreography for Scottish Ballet.  

Sophie Laplane's Mary, Queen of Scots has a lot going for it, visually stunning with a pleasing score, but simplistic and overly rapid storytelling brings it to an underwhelming conclusion.

Resident choreographer Sophie Laplane, star dancer with the company for 13 years before spreading her choreographic wings, takes on Scotland’s most tragic and divisive historical figure

Annabelle Lopez Ochoa's A Streetcar Named Desire for Scottish Ballet fires on all cylinders. Compelling drama and outstanding dancing make this a must-see.

Dawson’s stripped-down production throws the impetus immediately on his choreography, whilst keeping the bones of the story clearly in sight.

Jess and Morgs continue to break the mould of tired dance films by directing their first full-length feature, which offers much more than just a different way of presenting dance.

A worthwhile addition to the locker of lockdown digital dance.