2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-12-07UTC17:12:57+00:002016-12-07The Met revived Jurgen Flimm's modern production of Salome, with Patricia Racette making a successfu last minute role debut in the title role.Racette an unlikely success at Met's Revival of Salomeen_GBtruehttps://bachtrack.com/review-metropolitan-opera-salome-patricia-racette-december-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngAko Imamurahttps://bachtrack.com/22/270/list-published/16328https://bachtrack.com/22/270/list-published/16328https://bachtrack.com/files/251-ako_imamura.jpegAtsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to finance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.https://bachtrack.com/files/50007-patricia-racette-as-salome-ken-howard.jpg300480Patricia Racette as SalomeKen Howard | Metropolitan Opera2016-Dec-05, Lincoln Center: Metropolitan Opera House: Salomehttps://bachtrack.com/opera-listing/lincoln-center-metropolitan-opera-house/salome/05-december-2016/20-002016-12-052016-12-28Lincoln Center: Metropolitan Opera HouseNew York CityNew YorkUnited States1002340.772270627753-73.983972072601http://www.metopera.org/Season/2016-17-Season/salome-strauss-tickets/?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/38525-met-opera-logo.jpg4
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-02-06UTC11:59:38+00:002014-02-06Dmytro Popov and Nancy Fabiola Herrera star in a traditional production of Carmen at the Sydney Opera House.Carmen offers traditional thrills at Sydney Opera Houseen_GBtruehttps://bachtrack.com/review-feb-2014-opera-australia-carmenBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Larkinhttps://bachtrack.com/22/270/list-published/944https://bachtrack.com/22/270/list-published/944https://bachtrack.com/files/135-dl_photo.jpgDavid is a lecturer at the University of Sydney, specialising in nineteenth-century music. Educated at Dublin and Cambridge, he has published on Richard Strauss, Liszt and Wagner. He gives pre-concert talks for the Sydney Symphony, and sings with a number of chamber choirs.https://bachtrack.com/files/4209-oa_carmen_1.jpg510339Michael Honeyman as EscamilloBranco Gaica2014-Feb-03, Sydney Opera House: Carmenhttps://bachtrack.com/opera-listing/sydney-opera-house/carmen/03-february-2014/19-302014-02-032014-02-03Sydney Opera HouseSydneyNew South WalesAustraliaNSW 2000Bennelong Point-33.85784020822151.214593201884
2012Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:30:03+00:002012-08-16Verdi's Rigoletto performed at the Hollywood Bowl with Dudamel and the Los Angeles Phil: a fresh performance, writes Ted Ayala.Verdi's Rigoletto at the Hollywood Bowl with the LA Phil and Dudamelen_GBtruehttps://bachtrack.com/review-hollywood-bowl-2012-la-phil-dudamel-rigolettoBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngTed Ayalahttps://bachtrack.com/files/1601-dudamel_gustavo_hb11_01_hi.jpg400400Gustavo Dudamel at the Hollywood Bowl Mathew Imaging2012-Aug-12, Hollywood Bowl: Dudamel Conducts Verdi's Rigolettohttps://bachtrack.com/concert-listing/hollywood-bowl/dudamel-conducts-verdis-rigoletto/12-august-2012/19-302012-08-122012-08-12Hollywood BowlLos AngelesCaliforniaUnited StatesCA 9007834.1128882604905-118.3388578891754
Espectáculo honesto y coherente que supo superar las dificultades intrínsecas del Don Carlo, con bastantes luces y algunas pocas sombras pero defendiendo un modelo de representación distinto al de los grandes teatros de ópera
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-03-10UTC12:08:30+00:002016-03-09Espectáculo honesto y coherente que supo superar las dificultades intrínsecas del Don Carlo, con bastantes luces y algunas pocas sombras pero defendiendo un modelo de representación distinto al de los grandes teatros de óperaDon Carlo en los Teatros del Canal: honestidades_EStruehttps://bachtrack.com/critica-madrid-teatros-canal-don-carlo-orcam-coves-orfila-herrera-march-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngMario Muñozhttps://bachtrack.com/22/270/list-published/17764https://bachtrack.com/22/270/list-published/17764https://bachtrack.com/files/292-mario.jpgMario Muñoz Carrasco (Madrid, 1976) es compositor y crítico musical. Cursa estudios de Guitarra Clásica en la Escuela de Música Creativa para especializarse más adelante en Composición e Improvisación Jazz en la Escuela de Nuevas Músicas. Desde el 2007 ejerce como crítico musical en distintos medios, tanto en radio como en prensa escrita, a la par que participa en actividades musicales de diversa índole (ponencias, congresos, confección de temarios, notas a programas, cursos de apreciación musical, etcétera). Desde su creación en 2011 cursa el Grado en Musicología de la UCM, formando parte de su primera promoción.https://bachtrack.com/files/36138-madrid_don_carlo_teatros_canal_boadella_orfila_herrera.jpg584368Imagen del ensayo de Don Carlo en los Teatros del Canal2016-Feb-28, Teatros del Canal: Don Carlohttps://bachtrack.com/opera-listing/teatros-del-canal/don-carlo/28-february-2016/18-002016-02-282016-02-28Teatros del CanalMadridMadridSpain28003Calle Cea Bermúdez, 140.4385962-3.70494140000014
