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Leonardo García-Alarcón's exhumation of Bembo's work proves a winner, in a hyper-quirky staging by Netia Jones with Julie Fuchs as the pick of the fine singers.

The Barber is back in Toronto with an excellent cast, young and old, and it’s as lively, colourful and energetic as ever. 

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella. 

Gabriela Ortiz' terrific cello concerto Dzonot receives its New York premiere by Alisa Weilerstein and the LA Philharmonic under Gustavo Dudamel at Carnegie Hall. 

Shawna Lucey's production from San Francisco Opera misses the mark as it premieres to a packed Dorothy Chandler Pavilion. 

Donné pour la première fois à l'Opéra national de Paris, l'ouvrage du compositeur américain est un succès sur le plan musical, théâtral et chorégraphique.

Sur le fond comme sur la forme, le chef-d'œuvre inachevé de Mozart dirigé par Leonardo García Alarcón laisse sur sa faim, malgré l'implication des forces de l'Orchestre Philharmonique de Radio France.