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Sacred and profane in Guildhall School's Respighi double bill

By Susannah Moody, 06 November 2023

From the spiritual conversion of a Medieval sex-worker, to the Sleeping Beauty tale reimagined, Guildhall stages a Respighi double-bill.

***11

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***11

London

08 Nov 2023

Sacred and profane in Guildhall School's Respighi double bill

By Susannah Moody

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Holst’s Sāvitri and Weir’s Blond Eckbert from the Guildhall School of Music

By David Truslove, 05 June 2023

Two accomplished performances bring emotional depth only intermittently, but show ample security of singing and playing.

***11

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***11

London

07 Jun 2023

Holst and Weir operas from the Guildhall School of Music

By David Truslove

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Picture perfect: a fine triple bill from the Guildhall School of Music and Drama

By Dominic Lowe, 11 November 2022

Massenet, Smyth and Rota are unlikely bedfellows, but in the Guildhall School's Autumn production, a one-act opera by each contributed to a most convincing triple bill, all set around the La Scala Picturehouse in the 1920s.

****1

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****1

London

13 Nov 2022

Picture perfect: a fine triple bill from the Guildhall School

By Dominic Lowe

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Schockierend wie aufwühlend: überragende Frau ohne Schatten in Amsterdam

By Phillip Richter, 03 May 2025

Marc Albrechts und Katie Mitchell machen Richard Strauss‘ Märchenoper zum rasant-schockenden Sci-Fi-Thriller.

*****

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*****

Amsterdam

05 May 2025

Überragende Frau ohne Schatten in Amsterdam

By Phillip Richter