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Timo Riihonen and Ester Pavlů stand out in a strong cast which carries Andreas Homoki's revised version of Wagner's final opera.

Aribert Reimann's Lear takes no prisoners in a disturbing portrayal of a world gone awry, but Barbora Horáková's scattergun direction adds to the confusion. 

Barbora Horáková's imaginative updating of The Marriage of Figaro sags under its own weight at the Estates Theatre, Prague.