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Bieito’s vivid production of Bizet's most famous work is a classic; his attack on toxic masculinity is visceral, made more potent by an excellent leading pair of singers.

Porgy and Bess isn’t a perfect opera, but English National Opera's new production is a strong one. 

The finale of the BBCSO’s Bernstein celebration features the composer at his most sublime and frivolous, and offers a rare performance of Songfest for six soloists and orchestra.

With Verdi's Otello, Music Director Robert Spano continues a recent Atlanta Symphony Orchestra tradition of presenting grand operatic works in a concert hall version

Robert Spano leads a masterfully staged performance of Theofanidis' grand oratorio Creation/Creator.

It takes some brashness (and perhaps just a little bit of megalomania) on the part of a composer to choose Macbeth, of all of the Bard’s plays, to set to music. As if one can ignore that in the hearts and minds of most listeners, Verdi had the first, last, and only word in musical adaptations of Shakespeare’s drama of bloody intrigue.

Eric Owens singt Porgy mit Leib und Seele und ist mit seiner charismatischen Ausstrahlung der unbestrittene Held dieser Oper.