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Transferring from Manchester to London in expanded form, ENO stage a bruising, uncompromising allegory of modern slavery.

Finding a partner for Bartók's creepy one-acter is a thorny problem, but Welsh National Opera pairs it with Stravinsky's ‘opera-oratorio’ for its season opener. 

The Armenian soprano makes her Grange Festival debut – a casting coup that proves the single most compelling reason to see Max Webster’s new production.