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Venetian Baroque opera once had a raison d'être of spectacular and complex stagings, but Daisy Evans makes us see that other ways are possible.

In its Royal Opera House debut, Irish National Opera's high-energy Bajazet provides a great evening for Baroque fans and sceptics alike.

Ovid’s Metamorphosis (on which the episode of Acis and Galatea is based) set in an Irish pub? Cowboys in place of shepherds and a bartender instead of a nymph?

A riveting account of Handel's Samson in Dublin, with Katherine Watson, James Gilchrist and Madeleine Shaw shining as soloists. 

Peter Whelan und seine Musiker verfehlten die Wirkung eines besonderen Konzerterlebnisses nicht, indem sie vor allem ein überragendes Phrasierungs- und Dynamikfeuerwerk hinlegten.