Live, Video: Find classical music concert, opera, ballet and dance reviews | Ingrid Fliter

At Kings Place, the Argentinian pianist's Beethoven takes time to settle, but her finely balanced Chopin tells a different story. 

Mendelssohn's A Midsummer Night's Dream and Beethoven's Third Piano Concerto make an odd couple in Singapore.

The Singapore International Piano Festival returns with an impressive show of keyboard mastery by the Argentinian pianist.

Søndergård’s all-consuming Mahler dwarfs some delightful Mozart in Edinburgh

A rare outing for Fanny Mendelssohn's Overture in C opens the second half of the Boston season. 

On a program with unusually slow tempos in Tchaikovsky’s Sixth Symphony and Mendelssohn’s The Hebrides, Argentine pianist Ingrid Fliter gave a cursory performance of Mendelssohn's First Piano Concerto.

An overall commendable performance dampened only by a ho-hum Beethoven. 

A highly memorable all-Chopin evening from Ingrid Fliter, with great physicality, fire and expression.

A high impact performance of Shostakovich's Fifth Symphony from Ilan Volkov and the Royal Philharmonic Orchestra, with striking and engaging Ravel from Ingrid Fliter – and a gem from Nikolai Roslavets.

A magnificent account of Beethoven's Seventh Symphony redeems a unique, if uneven program.

Conductor Alexandre Bloch thrills in a diverse programme of Messiaen, Haydn, and Schubert. 

“More facility than substance”: perhaps an apt description of the music of Ottorino Respighi.  Certainly on the evidence of last night’s concert, featuring the three ever popular Roman tone poems, one could have been left with that impression, but we had a thoroughly good time in the process.

Ravel and Dove complement each other, but Mozart sits oddly out of place in the BBC Symphony Orchestra's latest Prom. 

In recent years, the virtouso violinist Nikolaj Znaider has diverted some of his attention to conducting. Mentored by such esteemed figures as the late Sir Colin Davis and Valery Gergiev, he made his London conducting debut in 2011 with the London Symphony Orchestra.

El primer tercio del siglo XX fue el más vanguardista e innovador de toda la centuria. La música no podía quedarse fuera de esta breve pero intensa oleada: algo que quedó patente en el Baluarte el pasado 16 de enero.