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Walton’s Belshazzar’s Feast is brought to life Sir Bryn Terfel, Adam Hickox and the Royal Liverpool Philharmonic Choir and Orchestra. 

Korngold's concerto is at the heart of The Hallé's concert of American urban music which also features Gershwin, Higdon and Bernstein.

Elgar's Violin Concerto is at the heart of Vasily Petrenko's first Royal Festival Hall concert since becoming the RPO's Music Director. 

The wonderful acoustics of Milton Court proved to be the ideal setting for dramatic performances of rarely performance repertoire. With Igor Levit at the helm the evening was both technically challenging and artistically stimulating for audience and performers alike.

Scotch snap aplenty in evening of “Scottish Fantasy” with Hong Kong Philharmonic. 

In her first appearance with the CBSO at Sage Gateshead, Mirga Gražinytė-Tyla switches between energy and tranquility with Sibelius, Brahms and Bartók.

As the last stop of their five-city international tour, the Hong Kong Philharmonic Orchestra made its debut in the Sydney Opera House.

A master at clever programming, Maestro Iván Fischer surrounded Dutilleux with well-known pieces by Debussy, Ravel and Satie as part of the week-long French Days segment of the Bridging Europe 2016 series at Budapest’s Müpa. 

Joshua Weilerstein conducts the RLPO in music by Rouse, Prokofiev and Berlioz. 

Compelling offerings from Petrenko with the RLPO in romantic works, while Ning Feng dazzles with his poetry and extraordinary tone. 

It’s not often that Beethoven gets second billing in a concert, but Jaap van Zweden’s inaugural programme as Music Director of the Hong Kong Philharmonic Orchestra on Saturday gave this impression. Two student compositions with strong Chinese heritage stole the limelight this evening, which was also the orchestra’s celebration of China’s National Day on 1 October.

El director Giancarlo Guerrero y el violinista Ning Feng fueron los protagonistas del concierto que llenó de aires rusos el Euskalduna con obras de Shostakovich y Tchaikovsky sobre los atriles.

Der moderne klassische Konzertbetrieb neigt dazu, die gleichen Stücke mit den gleichen Künstlern immer wieder in die Konzertsäle zu bringen. An diesem Abend brachten die Münchner Symphoniker nicht nur selten gehörte Werke, sondern auch zwei zwei München-Debüts ins Prinzregententheater.