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This revival of the Met's 30-year-old production of Aida had a disappointing debut in the title role but Dolora Zajick's reign as Amneris is still a force of nature.

Towering above all the other meritorious singers in this performance, was the phenomenal Georgian mezzo-soprano Anita Rachvelishvili 

A dark minimalist inspiration for Vincent Boussard’s co-production of the Boston version of Un ballo in maschera, returning to the Gran Teatre del Liceu after 16 years.

Yannick Nézet-Séguin led an intriguing performance of Wagner's Flying Dutchman at the Met with a superb orchestra and an excellent ensemble of singers. 

David McVicar's six-year old production of Il trovatore returns to the Met with a starry cast:a model of clarity and mood compared with the Met’s previous staging.

A safe performance of Poulenc's extraordinary opera in Washington, lacking in pity and terror.

Good versus evil, only evil wins. Wagner's Lohengrin fills the Madrid night with questions about what trust is and what it takes to maintain it.

Yannick Nézet-Séguin kept the Metropolitan Opera Orchestra sounding especially lively and cohesive in this revival of Otto Schenk's enchanting production of Rusalka, starring Renée Fleming as the water nymph and Piotr Beczala as her lover.

The title role of Bellini’s Norma is one of the most challenging roles in the female repertory. It has been called the most profound portrayal of womanhood in all of opera. It demands a dramatic coloratura soprano with immense vocal power, rare agility, a wide dynamic range, a broad palette of vocal coloration, and instinctive theatricality.

Verdi experts regularly name Un ballo in maschera to be one of his finest works. In spite of this, it’s never reached the heights of popularity of La Traviata or Rigoletto, so a new production by an acclaimed director for a major opera house is a notable event. We watched David Alden’s New York Ballo from the comfort of a London cinema under the Met’s Live in HD series.

Read our review of David McVicar's production of Verdi's Il Trovatore in its 2011 broadcast from the Met Opera in New York.

Read our review of Gianni Quaranta's production of Verdi­'s Aida in its 2009 broadcast from the Met Opera in New York.

Las sopranos Anna Pirozzi, Ketevan Kemoklidze y la mezzo María José Montiel fueron las que se llevaron el estrépito de aplausos y la emoción del público. Exhibición de potencia y dramatismo en una obra poco dada en el teatro condal, sobre un fondo estético y sin tratamiento dramatúrgico.

Slobodeniouk construyó con unos mimbres extraordinarios un magnífico e inolvidable Réquiem, no tanto por su grandiosidad como por su capacidad de hacernos sentir todo tipo de emociones a flor de piel.