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Boston Lyric Opera, with the approval of Bernstein's estate, recast Arias and Barcarolles as the further musings of Sam and Dinah. 

Kevin Puts effectively shapes the time-traveling structure with distinctive sound worlds as thirty dramatic vignettes unfold across a little more than an hour and a half.

Despite its title, the victims dominate Julian Grant and Mark Campbell’s caustic one-act opera. 

Puts’ and Campbell’s fast and furious neo-Victorians launch Philadelphia’s Annual Opera Festival.

Imagine a tattered red curtain, blocking the set but revealing several bodies, bound head to toe in grey, hanging from the ceiling by their feet. It looks like the home of a malevolent, human spider - its prey a silent presence overhead. This is the opening of Verdi's Macbeth, at Boston Lyric Opera.