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American singers Clay Hilley and Sara Jakubiak offered performances of distinction in two fiendishly difficult roles.

Roberto Abbado's precise conducting made the score tingle with life. The magical glissandi were full of mystery, the hotbed of musical detail cleanly communicated and the amorous outbursts treated with Italianate ardour.

The chamber opera Powder Her Face has acquired a reputation as a “Don Giovanni for the Monica Lewinsky generation”, a tagline of which I was initially quite skeptical.