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The Komische Oper's new, socially-distanced Offenbach staging shows plenty of glitzy defiance in its brief appearance before Germany's latest lockdown. 

Pierangelo Valtinoni’s take on the classic story is a charming introduction to opera for children. 

Tchaikovsky's opera packs a powerful emotional punch in the Komische Oper's concentrated and dreamlike production.

Stefan Herheim packs puns and gags into a three-hour long show, but less could have been more. 

The Spanish director offers a controversial angle but tones it down to focus on dark psychology rather than spectacle in his staging of Schrecker's hothouse opera.

Barrie Kosky's 2011 production confines the action of the opera to a stark white room. A fine ensemble of singers made for a successful evening.

Barrie Kosky's new production of Eugene Onegin at the Komische Oper Berlin is delicious for the eyes, ears and emotions. 

Signs of birth and death – but moreso death – flash continuously through the Latvian director Viestur Kairish’s new production of Britten’s A Midsummer Night’s Dream, which opened the Komische Oper Berlin’s 2013/14 season.

Le fameux Ball im Savoy de 2013 fait son retour dans la mise en scène de Barrie Kosky mais aussi avec la distribution de l'époque, donnant lieu à des retrouvailles aussi réjouissantes qu'émouvantes.