Live, Video: Find classical music concert, opera, ballet and dance reviews | Dame Jane Glover

Conductor Jane Glover capitalized on The Cleveland Orchestra’s affinity for Mozart in a Sunday evening concert at the Blossom Music Center, with the versatile pianist Conrad Tao.

The Houston Symphony showed the many sides of Bach in a festive performance over the Easter weekend.

Jane Glover conducts a skittish Mozart's Così fan tutte for Kansas City's Lyric Opera.

Jane Glover’s Cleveland Orchestra performance of Handel’s Messiah was both celebratory and historically-informed.

In Shoreditch, the Royal Academy of Music showed off some superb singing in a chilling exploration of tyranny and unrestrained power.

A polished production of The Marriage of Figaro from some of the potential opera stars of the future.

Does the devil get the best tunes? Nick Shadow steals the show in the Royal Academy's production of The Rake's Progress.

Everything is right in this Gothenburg production of Mozart's Figaro that exceeds all expectation and offers high-level entertainment up until the very last chord.

The Cleveland Orchestra celebrates CPE Bach's 300th birthday, along with works by Vaňhal, Beethoven and Haydn in performances of utmost clarity.

It is a truth, universally acknowledged, that a Handel opera in pursuit of a happy ending must have a few twists and turns, and Ariodante has everything you would expect.

Handel and the Huddersfield Choral Society go way back, and their union is probably listed somewhere in the Old Testament.

As Handel made music of John Milton’s poems L’Allegro and il Penseroso , Mark Morris made Handel’s music dance. The 32 scenes of Morris’ ballet breathe with inspiration of figures and designs from watercolours William Blake did for an edition of Milton’s poems.

For an opera school production, it's a good idea to choose a classic: something that will focus the audience on the quality of the singers and orchestra rather than on innovation in the piece or programming.

The Teatro Real de Madrid has finished 2012 and welcomed 2013 with an excellent dance company. Mark Morris Dance Group has come to the Spanish capital to offer only six performances of its internationally acclaimed Mozart Dances.

When choosing a Gilbert and Sullivan operetta to be performed at the Proms in a year firmly branded as "London 2012", The Yeomen of the Guard had obvious appeal, being set in one of the capital's most famous landmarks, and giving the opportunity, even in semi-staged form, to deck the hall with Beefeater uniforms.

Die Zauberflöte is probably the greatest singspiel ever composed (only Mozart's own Die Entführung aus dem Serail can compete for beauty), but it is rather difficult to stage because of its highly complicated story and abstruse and rather ambiguous masonic symbolism. But the music sweeps all before it with its extraordinary beauty, quality and variety.

When you go to a student opera production, even at an institution as prestigious as the Royal Academy of Music, you don't expect to see one of the opera world's conducting legends in the pit. But that's precisely what we had at last night's performance of Berlioz's Béatrice et Bénédict, in the shape of Sir Colin Davis (CH, CBE), a man with several thousand opera performances on the clock.

The Royal Academy of Music has a small but beautifully refurbished theatre, the 230 seat Sir Jack Lyons Theatre, where it stages full opera performances. Although many of the seats are taken by Academy staff, performers' friends and families, talent scouts and others with specific reasons for being there, some of the tickets are available to the public.