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The Dream is such a crowdpleaser that one wishes ABT would do this more often in their Met season, but Ballet Imperial needed more time to relax into. 

American Ballet Theatre shows its range with pieces from George Balanchine, Alonzo King, and Jessica Lang, but the dancing and choreography remain uneven throughout. 

The Seasons is overstuffed, uneven and way too busy. There are so many steps, but they rarely made me "see the music". It was a frustrating ballet, with so many lovely moments that were less than the sum of its parts.

BalletNOW returns to the Glorya Kaufman Presents Dance at the Music Center in Los Angeles. The production features dancers from six different major ballet companies, but fails to impress.

Damian Woetzel puts together programs, musicians and dancers with a creative curator’s eye and gets the most out of the new combinations. This show was great.

Isabella Boylston made an impressive debut in MacMillan's treasured classic amid some fine performances from the supporting cast.

Isabella Boylston, here leading ABT's Swan Lake still has that touching vulnerability that makes her so emotionally appealing but there is now also a soaring spirit that can be thrilling.

With INTENSIO, a program of new dances he commissioned, Simkin is clearly making a major move.

Isabella Boylston, Cassandra Trenary and Herman Cornejo are exemplary in Mark Morris's new After You, a ballet of simple grace.

ABT has always been a place where stars shine brightest and this night had a whole constellation of them.

The YAGP Gala showcases young dancers who will go on to lead the world's ballet companies.