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Ragnarök: the Swedish title for Götterdämmerung resonates with Old Norse folk memories of universal inundation and overthow of the order of the gods.

While the Welsh were merrily slaying Belgians in Euro 2016, one dragon was on the receiving end at the Royal Festival Hall.

With Götterdämmerung the Linz Ring came to a controversial conclusion with a graphic depiction of Siegfried violently raping a defenceless Brünnhilde, and Hagen entertaining his father Alberich, and his mother.

Rewarding performances by Matthäus Schmidlechner as Mime and Lars Cleveman in the title role, plus Elena Nebera as Brünnhilde, made Richard Wagner’s Siegfried at the Landestheater Linz a joy.

La Juive, Fromental Halévy's grand opéra, makes a powerful return to Gothenburg, the same city where it received its Swedish première 150 years ago, in Günther Krämer’s stark staging. 

Celebrating the Wagner centenary in 1913, the Hallé Orchestra gave a concert performance in Manchester of Acts II and III from Wagner’s epic final masterpiece Parsifal.