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A brilliant modern revisioning by Genevieve Raghu, in a superb contemporary translation by Benjamin Hamilton, makes Don Giovanni feel more relevant than ever for the Tinder generation and their disposable approach to love. 

The charm-ometer was cranked firmly to ‘high’ yesterday evening for the opening opera of this year’s Buxton Festival with a performance of The Jacobin, an opera close to Dvořák’s heart. 

Shostakovich’s 1959 operetta Moscow, Cheryomushki (“Paradise Moscow”) is to date one of the most uncomfortable evenings I have ever spent in a theatre, though, I hasten to add, not because of the performance.