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Akram Khan's Giselle becomes ever more watchable with every viewing. A rollercoaster version of the traditional classic.

English National Ballet's current Nutcracker shows off the brilliance of the dancers across the ranks but after many years, the weaknesses in the plot and characterisation remain flawed.

Christopher Wheeldon's Cinderella in-the-round is an immersive experience in the grand ballroom scene but the romantic duets are robbed of an essential intimacy.

Creature is not an easy watch, but English National Ballet give memorable and compelling performances throughout.

A mixed bag from the ENB repertoire to greet the summer solstice at the Royal Festival Hall. 

Despite confused storytelling in Wayne Eagling's version of ETA Hoffmann's tale, ENB's Nutcracker has some lovely dancing. 

Wayne Eagling’s version for English National Ballet, however, risks confusing those new to ballet – and a few more experienced hands – thanks to muddled storytelling.  

English National Ballet has performed The Nutcracker every year since it was founded in 1950. The latest version, by former company artistic director Wayne Eagling, has a great deal of charm and a stunning leading couple. At the London Coliseum. 

The fourth annual Emerging Dancer Award was a spectacular showcase for English National Ballet’s rising stars. The evening included performances from six members of the company, as well as a magnificent interlude from previous winners Yonah Acosta and Shiori Kase. Prizes on offer were Emerging Dancer and the People’s Choice, voted for by the public.