Such careful conveyance from both performers and composer fostered the sort of “deep listening” Pauline Oliveros has encouraged throughout her decades-long career.
International Contemporary Ensemble’s debut London concert was a small-scale affair, tucked away in Hall 2 of Kings Place on a Sunday afternoon. But this talented group still gave us a great taste of why they’re such big news in the United States, with a pleasantly varied programme of new and recent music curated for them by Londoner and long-time collaborator Dai Fujikura.
