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Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.

The Hungarian State Opera presents a new modern production of Don Carlo by a director who depicts the historical cruelty as very much present in our world today.

The Hungarian State Opera's revival of The Magic Flute lacks a little magic. 

The acting was patchy and the singing ranged from serviceable to laudable in this dazzling new production at the Budapest Spring Festival.

Oliver von Dohnányi leads a great orchestral performance to drive Meyerbeer's grand historical epic, lit up by sparkling coloratura from Klára Kolonits.

The big man in the fat suit rules the show, briging vigour and joie de vivre to Hungarian State Opera's Falstaff.

Erwin Schrott seduces the Budapest audience with smiles, but Zerlina steals the show in Budapest. 

This production came together brilliantly to illustrate the story of Das Rheingold. But the star of the show was MüPa’s Béla Bartók Hall, with its extraordinary acoustic.