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Shelley and the RPO make sense of Shostakovich with lush Glazunov, tight Borodin and dazzling Prokofiev with Kian Soltani.

Alexander Shelley conducts a folksong-infused programme of Kodály and Bartók, with Mariam Batsashvili performing Liszt. 

Continuing its interesting series “Myths and Fairytales”, the Royal Philharmonic gave colourful interpretations of the Hänsel und Gretel overture and Peer Gynt.

Alexander Shelley curated a hot-blooded programme of adventure and imagery with the Royal Philharmonic Orchestra, with Susanne Hou showing extraordinary technique and class in Tchaikovsky’s Violin Concerto.

Alexander Shelley and the Royal Philharmonic Orchestra mixed simplicity with demonic shenanigans in two Prokofiev symphonies, while Chloë Hanslip dug deep in an impassioned Sibelius Violin Concerto.

An engaging soloist, passionate conductor and fantastic orchestral playing made light work of a slightly lop-sided and overlong concert. 

Soloist Barnabas Kelemen impresses in Szymanowski's Violin Concerto no. 2, while conductor Alexander Shelley impresses with a chirpy Classical Symphony and a brooding Walton First Symphony.

A gleeful production of The Marriage of Figaro from Opera North, which makes it hard to imagine any dark side at all to the comedy. 

This was a concert that provided the opportunity for so many individual musicians to shine and the Bournemouth Symphony Orchestra’s shone brightly, showcasing its truly amazing talent. 

El concierto de la Orquesta Sinfónica de Tenerife titulado “ Bartók y el violín” presentó a la violinista holandesa Simone Lamsma y al director británico Alexander Shelley en un programa con obras de Stravinsky, Bartók y Ravel.

Mit einem Solokonzert der ungewöhnlichen Art fesselten die Nürnberger Symphoniker und Andreas Martin Hofmeier in der heimatlichen Meistersängerhalle ihr Publikum.

Einen Abend ganz im Zeichen Russlands gestalteten die Göteborger Symphoniker unter der Leitung des englischen Dirigenten Alexander Shelley.