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With their second open-air concert performance, Teatro di San Carlo scores another hit.

Lorenzo Amato penetrates deep into the recesses of Bellini's opera. 

One of Teatro San Carlo’s most cherished productions of recent years, with an excellent cast of singers and a director who steered at his ease into the libretto’s erratic changes of mood and atmosphere.

Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.

Only soprano Eleonora Buratto’s Mimì added real warmth and pathos to Mario Pontiggi's staging. 

The libretto had a troubled genesis, to say the least: seven people put their hand on it! But the rich melodic invention of the composer prevailed and the success was resounding.

Mozart's very notes become servant to the cause in an ingenious staging of Le nozze di Figaro by one of today's most esteemed directors.

Teatro di San Carlo closed its Opera Festival summer season with Le nozze di Figaro, which director Chiara Muti staged as a timeless classic

At the 2014 Edinburgh International Festival, Gianandrea Noseda leads the Teatro Regio Torino in a concert performance of Rossini's William Tell that offers enormous variety without quite hitting the bull's eye.

Europa Galante y el Cor de Cambra del Palau de la Música se unen en el escenario bajo la dirección de Fabio Biondi para dar vida a Orfeo, de Monteverdi.

Carmen de Bizet revient à Rome dans le magnifique parc des thermes de Caracalla.