A warm Mimì in a cold Bohème in Naples

By Lorenzo Fiorito, 13 January 2018

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Reviewed at Teatro di San Carlo, Naples on 11 January 2018

Puccini, La bohème

Teatro di San Carlo

Stefano Ranzani, Conductor

Mario Pontiggia, Director

Francesco Zito, Set Designer, Costume Designer

Eleonora Buratto, Mimì

Jean-François Borras, Rodolfo

Mario Cassi, Marcello

Francesca Dotto, Musetta

Leon Kim, Schaunard

Fabrizio Beggi, Colline

Matteo Ferrara, Benoît, Alcindoro

Stefano Pisani, Parpignol

Coro del Teatro di San Carlo

Orchestra del Teatro di San Carlo

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Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.

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Laurent Pelly’s Falstaff passes the Naples test with flying colours

Lorenzo Fiorito, 15th February

The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.

*****

Ludovic Tézier delivers a noble Nabucco in Naples

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Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism.

***11

Ennio Morricone’s only opera, Partenope, finally premiered in Naples

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Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images.

***11

San Carlo’s Medea a clash of worlds in a neoclassical framework

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A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.

***11

Vocal triumph in Un ballo in maschera at the Teatro di San Carlo

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Faithful to the libretto’s dramaturgy, the staging unfolds in scenographic environments of strong impact -

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Lorenzo Fiorito

Lorenzo Fiorito holds degrees in Humanities and in Languages and Literatures, and a Phd in Languages for Special Purposes. He is a lecturer in historical musicological subjects at the Pegaso University, Naples, the Universitas Mercatorum, Rome and MEDEA Higher Education Institution, Malta, currently researching musicology as a special language. He is a member of the National Music Critics Association and of the Italian Society of Musicology. He edited a series of volumes in Musicology and History of Music for the publisher Diana Edizioni, mainly concerning the Neapolitan School of Music of the 18th century, and is the founder and artistic director of the “Francesco Durante Festival” in Frattamaggiore.