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Klaus Mäkelä helms Mahler’s Third Symphony, the composer’s longest work, in a journey to remember with inspired playing from instrumentalists and vocalists alike. 

A brilliant programming decision paired Adams’s 9/11 memorial with Mahler’s life-affirming Symphony no. 4, with the fine soprano Joelle Harvey as soloist.

A fresh and compelling performance of Carl Orff’s classic. Aaron Copland’s rarely-performed Statements filled out the orchestra’s last concert performance at the Blossom Music Festival for 2018.

The Cleveland Orchestra’s centennial season was off to an auspicious start with an encore presentation of Janáček’s The Cunning Little Vixen.

Mezzo-soprano Kelly O’Connor proves herself a sensitive and dark-hued soloist, with fine support from the Cleveland Orchestra Chorus.

Paul Groves, Sir Willard White and Ruxandra Donose are the top-flight principals, with excellent support from the Cleveland Orchestra Chorus.

Alan Held and Martina Janková star in a technologically and musically stunning production of Leoš Janáček's fable of nature and time.

Britten's Spring Symphony and Ryan Wigglesworth's Locke's Theatre join with Rudolf Buchbinder's thrilling account of Rachmaninov's Rhapsody, all conducted, at short notice, by Brett Mitchell, Franz Welser-Möst's assistant.

When Cleveland Orchestra music director Franz Welser-Möst had to bow out of this past weekend’s performances of Carl Orff’s Carmina Burana due to a recent back injury, the orchestra’s talented young assistant conductor, James Feddeck, inherited a high-profile assignment. The set of four concerts had been heavily promoted and were sold out.

The Cleveland Orchestra opened its 2012/13 Severance Hall season this weekend with an epic performance of Gustav Mahler’s sprawling Symphony no. 3. The orchestra’s Musical Director Franz Welser-Möst conducted, and the Ukrainian mezzo-soprano Zoryana Kushpler made her American debut with these concerts on 20 and 22 September.Mahler’s inspiration for Symphony no.