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One of Teatro San Carlo’s most cherished productions of recent years, with an excellent cast of singers and a director who steered at his ease into the libretto’s erratic changes of mood and atmosphere.

A fresh, gleaming production of director Elena Barbalich, with as much vaudeville as possible

The libretto had a troubled genesis, to say the least: seven people put their hand on it! But the rich melodic invention of the composer prevailed and the success was resounding.

It took a whole act to warm up the audience, but at the end, San Carlo's production of Lehár’s frothy operetta proved convincing