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TurinI lombardi alla prima crociata
Verdi: I lombardi alla prima crociata
Michele Mariotti; Stefano Mazzonis di Pralafera; Teatro Regio di Torino; Jean-Guy Lecat; Fernand Ruiz; Giuseppe Gipali; Iván Ayón Rivas
TurinShostakovich, Wagner
Shostakovich, Wagner
Orchestra Sinfonica Nazionale RAI; Marc Albrecht; Enrico Dindo
TurinDebussy, Chopin, Bartók
Debussy, Chopin, Bartók
Orchestra Sinfonica Nazionale RAI; Mirga Gražinytė-Tyla; Jan Lisiecki
TurinLa Voix humaine/Il segreto di Susanna
Poulenc, Wolf-Ferrari
Diego Matheuz; Ludovic Lagarde; Teatro Regio di Torino; Antoine Vasseur; Fanny Brouste; Anna Caterina Antonacci
TurinMozart, Saint-Saëns, Strauss
Mozart, Saint-Saëns, Strauss R.
Orchestra Sinfonica Nazionale RAI; James Conlon
TurinSir Antonio Pappano / Lisa Batiashvili / Chamber Orchestra of Europe
Ligeti, Brahms
Chamber Orchestra of Europe; Sir Antonio Pappano; Lisa Batiashvili
Latest reviewsSee more...
Turin's Orpheus does not ascend to Heaven
In the Teatro Regio's production everything is according to the script, but the magic of the stage is absent.
Turin's Salome devoid of lunar magic
With so little of worth happening onstage, this performance requires a unanimously strong set of performances from the main cast.
An enigmatic Turandot in Turin
Stefano Poda's staging has its own coherence, but it is as cold as the Chinese princess.
Falstaff in Turin: elegant, but with little mass
Renzetti's traditional rendition does not reveal yet unprecedented details of a score that is the summation of Verdi's mastery and his last work – his third based on Shakespeare.
Patience is a virtue in the Teatro Regio's marvellous Tristan und Isolde
What distinguishes Noseda's Tristan most of all is especial balance in the orchestra and a transparency of sound that reveals the inner-workings of the music.
Macbeth in the deep south
Director Emma Dante revives Verdi's Macbeth for Turin's Teatro Regio, conducted by Gianandrea Noseda.