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Classical music, opera, ballet and dance in Turin, Italy

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April 2018
Evening performance
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TurinI lombardi alla prima crociata

Verdi: I lombardi alla prima crociata
Michele Mariotti; Stefano Mazzonis di Pralafera; Teatro Regio di Torino; Jean-Guy Lecat; Fernand Ruiz; Giuseppe Gipali; Iván Ayón Rivas

TurinShostakovich, Wagner

Shostakovich, Wagner
Orchestra Sinfonica Nazionale RAI; Marc Albrecht; Enrico Dindo

TurinDebussy, Chopin, Bartók

Debussy, Chopin, Bartók
Orchestra Sinfonica Nazionale RAI; Mirga Gražinytė-Tyla; Jan Lisiecki

TurinLa Voix humaine/Il segreto di Susanna

Poulenc, Wolf-Ferrari
Diego Matheuz; Ludovic Lagarde; Teatro Regio di Torino; Antoine Vasseur; Fanny Brouste; Anna Caterina Antonacci

TurinMozart, Saint-Saëns, Strauss

Mozart, Saint-Saëns, Strauss R.
Orchestra Sinfonica Nazionale RAI; James Conlon

TurinSir Antonio Pappano / Lisa Batiashvili / Chamber Orchestra of Europe

Ligeti, Brahms
Chamber Orchestra of Europe; Sir Antonio Pappano; Lisa Batiashvili
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Turin's Orpheus does not ascend to Heaven

Mauro Borgioni (Orfeo) © Rammella & Giannese/Piva | Teatro Regio Torino
In the Teatro Regio's production everything is according to the script, but the magic of the stage is absent. 
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Turin's Salome devoid of lunar magic

Erika Sunnegårdh (Salome) © Rammella & Giannese/Piva | Teatro Regio Torino
With so little of worth happening onstage, this performance requires a unanimously strong set of performances from the main cast.
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An enigmatic Turandot in Turin

Jorge de Léon (Calaf) © Ramella & Giannese | Teatro Regio di Torino
Stefano Poda's staging has its own coherence, but it is as cold as the Chinese princess. 
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Falstaff in Turin: elegant, but with little mass

Carlos Álvarez (Falstaff) © Ramella & Giannese | Teatro Regio Torino
Renzetti's traditional rendition does not reveal yet unprecedented details of a score that is the summation of Verdi's mastery and his last work – his third based on Shakespeare.
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Patience is a virtue in the Teatro Regio's marvellous Tristan und Isolde

Tristan und Isolde © Ramella & Giannese | Teatro Regio Torino
What distinguishes Noseda's Tristan most of all is especial balance in the orchestra and a transparency of sound that reveals the inner-workings of the music.
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Macbeth in the deep south

Anna Pirozzi (Lady Macbeth) and Dalibor Jenis (Macbeth) © Teatro Regio Torino | Ramella & Giannese
Director Emma Dante revives Verdi's Macbeth for Turin's Teatro Regio, conducted by Gianandrea Noseda.
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