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Classical music, opera, ballet and dance in Turin, Italy

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TurinGürzenich Orchestra in Turin

Mendelssohn, Mahler
Gürzenich Orchestra; François-Xavier Roth; Isabelle Faust

TurinLe nozze di Figaro

Mozart: Le nozze di Figaro (The Marriage of Figaro)
Speranza Scappucci; Elena Barbalich; Teatro Regio di Torino; Tommaso Lagattolla; Simone Alberghini; Serena Farnocchia

TurinDon Giovanni

Mozart: Don Giovanni
Daniele Rustioni; Michele Placido; Teatro Regio di Torino; Maurizio Balo; Carlos Álvarez; Erika Grimaldi

TurinCosì fan tutte

Mozart: Così fan tutte
Diego Fasolis; Ettore Scola; Teatro Regio di Torino; Luciano Ricceri; Odette Nicoletti; Federica Lombardi; Annalisa Stroppa

TurinBerliner Philharmoniker on tour

Berliner Philharmoniker; Daniel Harding
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On the female condition: two 20th-century operas in Turin

Anna Caterina Antonacci (Susanna) and Bruno Danjoux (Servant) © Rammella & Giannese/Piva | Teatro Regio Torino
Two different variations of the female conditions: one of 1909 and now utterly out-of-date, the second of 1959 much more ut-to-date.
****1
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I Lombardi alla prima crociata returns to Turin after 93 years

Angela Meade (Giselda, different performance) © Ramella & Giannese | Teatro Regio Torino
The director presents the story clearly enough, but apart from that, there is not much going for this production.
***11
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Turin's Orpheus does not ascend to Heaven

Mauro Borgioni (Orfeo) © Rammella & Giannese/Piva | Teatro Regio Torino
In the Teatro Regio's production everything is according to the script, but the magic of the stage is absent. 
**111
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Turin's Salome devoid of lunar magic

Erika Sunnegårdh (Salome) © Rammella & Giannese/Piva | Teatro Regio Torino
With so little of worth happening onstage, this performance requires a unanimously strong set of performances from the main cast.
**111
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An enigmatic Turandot in Turin

Jorge de Léon (Calaf) © Ramella & Giannese | Teatro Regio di Torino
Stefano Poda's staging has its own coherence, but it is as cold as the Chinese princess. 
***11
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Falstaff in Turin: elegant, but with little mass

Carlos Álvarez (Falstaff) © Ramella & Giannese | Teatro Regio Torino
Renzetti's traditional rendition does not reveal yet unprecedented details of a score that is the summation of Verdi's mastery and his last work – his third based on Shakespeare.
***11
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