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Classical music, opera, ballet and dance in Turin, Italy

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February 2018
Evening performance
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TurinMahler, Beethoven

Mahler, Beethoven
Orchestra Sinfonica Nazionale RAI; Hartmut Haenchen; Michelle Breedt


Erika Sunnegårdh (Salome) © Rammella & Giannese/Piva | Teatro Regio Torino
Strauss R.: Salome
Gianandrea Noseda; Laurie Feldman; Teatro Regio Torino Opera; Laura Viglione; Erika Sunnegårdh; Robert Brubaker; Doris Soffel


Beethoven: Piano Concerto no. 4 in G major, Op.58
Orchestra Sinfonica Nazionale RAI; Claus Peter Flor; Alessandro Taverna


Roma Sinfonietta Orchestra; Ennio Morricone; Dulce Pontes; Susanna Rigacci

TurinKodály, Eötvös, Bartók

Kodály, Eötvös, Bartók
Orchestra Sinfonica Nazionale RAI; Péter Eötvös


Monteverdi: L'Orfeo (Orpheus), SV318
Antonio Florio; Alessio Pizzech; Teatro Regio Torino Opera; Davide Amadei; Maria Carla Ricotti; Roberta Invernizzi; Mauro Borgioni
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Turin's Salome devoid of lunar magic

Erika Sunnegårdh (Salome) © Rammella & Giannese/Piva | Teatro Regio Torino
With so little of worth happening onstage, this performance requires a unanimously strong set of performances from the main cast.
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An enigmatic Turandot in Turin

Jorge de Léon (Calaf) © Ramella & Giannese | Teatro Regio di Torino
Stefano Poda's staging has its own coherence, but it is as cold as the Chinese princess. 
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Falstaff in Turin: elegant, but with little mass

Carlos Álvarez (Falstaff) © Ramella & Giannese | Teatro Regio Torino
Renzetti's traditional rendition does not reveal yet unprecedented details of a score that is the summation of Verdi's mastery and his last work – his third based on Shakespeare.
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Patience is a virtue in the Teatro Regio's marvellous Tristan und Isolde

Tristan und Isolde © Ramella & Giannese | Teatro Regio Torino
What distinguishes Noseda's Tristan most of all is especial balance in the orchestra and a transparency of sound that reveals the inner-workings of the music.
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Macbeth in the deep south

Anna Pirozzi (Lady Macbeth) and Dalibor Jenis (Macbeth) © Teatro Regio Torino | Ramella & Giannese
Director Emma Dante revives Verdi's Macbeth for Turin's Teatro Regio, conducted by Gianandrea Noseda.
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Rare and witty: Vivaldi's Dario in Turin

L'incoronazione di Dario © Teatro Regio Torino | Ramella&Giannese
As always in the librettos of the time, the historical events are just a weak excuse to stage timeless stories of jealousy, struggle for power, sexual desire – the ingredients in today's television series.
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