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Giulia Tonelli's Juliet was sheer perfection, the true mainstay of this unforgettable performance.

Based on a story published by Heinrich Heine in 1834, Giselle has long stood as a front runner in the classical ballet canon.

Marking a century after Vaslav Nijinsky’s last solo performance, Marco Goecke’s ballet gives a new dynamic to the name and story of the legendary Polish-born Russian dancer.

In a magical and widely-varied programme, the Zurich Ballet pays homage to the celebrated Czech choreographer Jiří Kylián by performing four of his extraordinary works together for the first time.

In Zurich, ballet director Christian Spuck recently launched the second season of the multi-layered ballet he choreographed to the great P.I. Tchaikovsky score.

Christian Spuck, Zurich’s ballet director has crafted a new version of Hans Zender’s adaptation of Die Winterreise

Made up of aspiring professional dancers from eight different nations, the Junior Ballett Zürich performs a programme of internationally renowned choreographers every two years.

Two fine choreographers and the Orchestra La Scintilla heralded two world premiere performances of new ballets at the Zurich opera house.

Not all choreographers take on a gruelling tabletop assignment before defining the movements of a performance. Yet to reconstruct the 1895 Mariinsky Theatre production of Swan Lake, Alexei Ratmansky did just that.

Just as rereading a favourite novel can give the reader new literary impulses to explore, so, too, can the revival of a popular ballet offer a fresh interpretation.

Christian Spuck’s new ballet Messa da Requiem in Zurich, is a breathtakingly powerful achievement. But its profound impact is spurred by more than dance alone.

Christian Spuck’s marvellous ballet "Der Sandmann" (Sandman) was first performed in Stuttgart in the spring of 2006, but this marks its first run in Zurich.

At the Zurich opera house, ballet director and chief choreographer Christian Spuck employs emotionally charged imagery and highly acrobatic dance technique to tell the story his way. 

By bringing a fairy tale alive, Ratmansky may have stayed truth to Petipa's and Ivanov's legacy but he betrayed Tchaikovsky's inner intentions.

In Restless, a striking 4-part programme which the Ballett Zürich recently premiered, it’s sheer energy, speed and unequivocal action in the movements of the human body that are underscored. 

Ballett Zürich’s Junior Ballet, fifteen members strong from ten different nations, recently wowed an enthusiastic audience with a varied programme of five modern choreographers’ works.

In a three-bill programme that opens its season, the Zurich Ballet celebrates works of three choreographers who all pioneered new genres in contemporary dance.

Celebrating the modern genre, the Junior Ballet Zurich performs five diverse works to great acclaim.

The Zürich Ballet and Christian Spuck celebrate Georg Büchner’s anniversary with Woyzeck at the Zürich Opera House: a tragic ballet that perfectly balances emotion and form, abstraction and natural movement maintaining real life ambiguity.