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The Philadelphia Ballet transported audiences back to Belle Époque Paris with The Merry Widow, set to Franz Lehár’s beloved score (adapted by John Lanchbery) and Ronald Hynd’s spectacular choreography.

English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.

Czech National Ballet are well suited to Ronald Hynd's delightful production of Coppélia.

English National Ballet appears refreshed and revitalised under its new artistic director.

New National Theatre Tokyo's new staging of Donizetti's jolly Don Pasquale, in Stefano Vizioli's classic production, featured some sparkling vocal performances from a fine cast.