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The 74th Wexford Opera Festival opens with the French revision of Il trovatore that Verdi reforged for the Paris Opera. 

This Strauss-Puccini Prom concert paired the Symphonic Fantasy from Die Frau ohne Schatten and Puccini's one-act opera, Suor Angelica. 

A traditional staging by Romain Gilbert is welcomed at the Teatro di San Carlo, with a glittering line-up of soloists. 

Terfel's performance as the legendary sailor is stronger than ever and, one or two issues aside, this revival of Tim Albery's production is a compelling account of Wagner's first mature work. 

A long list of stars and young hopefuls from every corner of the globe came together to support Ukraine in the second fund-raising gala of its kind.

The second cast of the season for Oliver Mears' new Royal Opera production augments the intelligent staging with superb singing and acting.

Oliver Mears’ first production since becoming Director of Opera also heralds the start of a new Royal Opera season, with a full house finally returning after the long Covid hiatus.

The Jette Parker Young Artists take on their most ambitious programme yet, showcasing some of the most promising Verdian voices of the future.

As theatre, Isabelle Kettle's staging of Kurt Weill's Seven Deadly Sins is timelessly harrowing and bang up to date.

Lydia Steiers Frau ohne Schatten eröffnet mit einer bildgewaltigen Inszenierung die diesjährigen Osterfestspiele in Baden-Baden.