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Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation. 

András Almási-Toth production of the original version of Mussorgsky's historical epic underwhelms in Budapest. 

Hungarian State Opera presents Idomeneo for the first time in almost 50 years in a musically superb, but controversial pandemic-informed dystopian setting.

In András Almási-Toth's engaging new production, magnificent orchestral and choral performances let Wagner's music do the talking.

Jean Cocteau meets Philip Glass at Hungarian State Opera in the new setting of the Eiffel Art Studios. Les Enfants Terribles unfolds at an infernal pace!

Monteverdi’s last opera, recomposed by Máté Bella for a modern orchestra and a jazz combo, is an over-the-top, glitzy romp with plenty of casual sex and even more casual violence.

Opera director András Almási-Toth’s whimsical updating of an early Baroque opera by Antonio Cesti switches the composer’s L'Orontea from 1656 to 2016.

Hungarian composer Dohnányi's fourth and last opera is a comic delight, especially in the hands of the team at the Budapest Opera.