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John Adams’ Antony and Cleopatra puts the composer's propulsive music at the service of both moments of riveting human drama and less effective scenes of battle and politics. 

Is it possible to have a minor success on every level? Kevin Puts' The Hours underwhelms in its world premiere production at the Metropolitan Opera. 

This program illustrates the difficulties of a dance company attempting to forge a path forward without the towering vision and talent of its founder.

La direction enthousiasmante de Wayne Marshall et les qualités de la distribution ne suffisent pas à compenser une mise en scène creuse, qui ne fait pas honneur à la fantaisie de l'œuvre de Bernstein.