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Batsheva Dance Company in Ohad Naharin's Momo © Ascaf

Batsheva Dance Company in Ohad Naharin’s Momo: pure energy

By Katja Vaghi, 16 January 2025

In Batsheva’s German premiere of Momo, there is no narrative to be found, but rather a series of atmospheric sequences, creating a texture of inputs as ambiguous as reality itself.

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Berlin

16 Jan 2025

Batsheva Dance Company in Ohad Naharin’s Momo: pure energy

By Katja Vaghi

Shane Urton and Towa Iwase in Kirsten Wicklund's Field © Filip Van Roe

Ghent

Opera Ballet Vlaanderen: how to win over an audience

By Deborah Weiss, 13 December 2024

Two very diverse works that complement each other and show off the depth of talent within Opera Ballet Vlaanderen.

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Ghent

13 Dec 2024

Opera Ballet Vlaanderen: how to win over an audience

By Deborah Weiss

Berlin

Flickers of human fragility: Staatsballett Berlin’s superb double bill

By Katja Vaghi, 28 October 2024

Dancers as athletic poets: Staatsballett Berlin in Ohad Naharin’s Minus 16 and Sharon Eyal and Gai Behar’s Saaba.

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Berlin

28 Oct 2024

Flickers of human fragility: Staatsballett Berlin’s superb double bill

By Katja Vaghi

Paris

L’énergie fulgurante de Decadance à l’Opéra de Paris

By Laurine Mortha, 28 September 2018

Ohad Naharin, pionnier de la chorégraphie contemporaine israélienne et directeur de la Batsheva Dance Company, est de retour à l’Opéra de Paris avec Decadance, une anthologie géniale et explosive composée de dix extraits de ses œuvres.

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Paris

28 Sep 2018

L’énergie fulgurante de Decadance à l’Opéra de Paris

By Laurine Mortha