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Despite an early misadventure, Teatro dell'Opera di Roma launches Maurizio Scaparro's staging of Rossini's comic opera with panache. 

Although Karine Deshayes role change from Adalgisa to Norma is a work in progress, Luciano Ganci and Roberto Scandiuzzi shine in a staging charged with mythic symbolism.

The singer-actors of this lively Neapolitan opera are entangled in a farcical plot in the Teatro alla Scala's revival of the genre.

Cavalli's debut at La Scala is a triumph, earning applause that not even a Bohème or a Traviata can sometimes elicit. 

The singing is strong and the stagework slick in Laurent Pelly's rib-tickling, often uproarious production of Le Comte Ory.

Reparto de la nueva producción dirigida por Laurent Pelly encabezado por Sabina Puértolas y repleto de voces rossinianas quienes, junto a una orquesta rotunda, llevaron a buen término el enredo buffo.

La producción de la Staatsoper Berlin de Falstaff se presenta en Les Arts con un elenco bien armado y en la que orquesta y escena contribuyen al fluir de la diversión.