Classical music, opera, ballet and dance in Rome, Italy

Use Bachtrack's search facility to find concerts, opera and dance events not only in this city but right around the world. Bachtrack has the largest number of upcoming events of any website, and if you want to read reviews of events which have taken place here, or in another country, you can search here for exactly the reviews which interest you.
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RomeBernstein

Bernstein
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Coro dell'Accademia Nazionale di Santa Cecilia; Marie-Nicole Lemieux; Beatrice Rana; Alessandro Carbonare

RomeBrahms, Bernstein

Brahms, Bernstein
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Coro dell'Accademia Nazionale di Santa Cecilia; Voci Bianche dell’Accademia Nazionale di Santa Cecilia; Kyung Wha Chung; Nadine Sierra

RomeBeethoven, Strauss

Beethoven, Strauss R.
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Anne-Sophie Mutter

RomeI masnadieri

Verdi: I masnadieri
Roberto Abbado; Massimo Popolizio; Teatro dell'Opera di Roma; Sergio Tramonti; Silvia Aymonino; Riccardo Zanellato; Roberta Mantegna

RomeSchumann

Schumann
Orchestra dell'Accademia Nazionale di Santa Cecilia; Daniele Gatti; Coro dell'Accademia Nazionale di Santa Cecilia

RomeMozart, Prokofiev, Beethoven

Mozart, Prokofiev, Beethoven
Orchestra dell'Accademia Nazionale di Santa Cecilia; Manfred Honeck; Coro dell'Accademia Nazionale di Santa Cecilia; Lisa Batiashvili
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An adventurous La Damnation de Faust in Rome

Michieletto's production for the Teatro dell'Opera in Rome is fresh, intelligent and destined to go down as one of his best. 
****1
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Comedy and drama in Auber's Fra Diavolo: a balance well obtained at Opera di Roma

The Mediterranean setting of Auber's work is recreated by director Giorgio Barberio Corsetti with its intriguing teatro-immagine, where video projections and virtual reality are predominant.
****1
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Grace and delirium: Michieletto's Viaggio lands in Rome

Lord Sidney's contemplation of the insanity of the world seems to be the impetus for this delirious production. So endless is its stream of gags that to attend this show is to be left feeling exhausted.
****1
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Pappano releases the shackles

Released from the incarceration of directorial prison walls, Fidelio can still make a most powerful impact on the concert platform.
****1
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Stripping away the varnish: Tosca in Rome

The visual results are stunning, though an uneven cast made this a performance with clear weaknesses as well as strengths. Aquiles Machado's Cavaradossi, on the other hand, was an indubitable revelation.
***11
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A gloomy but effective Rigoletto in Rome

Leo Muscato's new production of Rigoletto was the first in Rome since conductor Riccardo Muti resigned in September, denouncing a lack of "serenity". 
***11
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