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Sir Jonathan Miller’s production of Puccini’s classic remains powerful, but ENO’s latest revival underwhelms at the Coliseum. 

As part of a festival considering the composer's oeuvre, Leon Botstein leads a concert performance of La Damnation de Faust lacking in French style. 

A two-week Ralph Vaughan Williams retrospective closed with his gentle, folksy spin on Shakespeare's Merry Wives of Windsor.

The Cincinnati May Festival pairs a deeply-felt Mozart Requiem with a new work for chorus and orchestra by Julia Adolphe.

Yuval Sharon's La bohème for Opera Philadelphia proves a mix of great singing and disorienting navigation. 

The company returned to its home at the Academy of Music after three years with a brutalist take on Verdi's middle-career masterpiece.

If comedy is all about timing, then Oberlin Conservatory’s production of Albert Herring was a master class in getting laughs. In four performances last week, professor and stage director Jonathon Field ran his young cast through whipcrack pacing, propelled by a smart performance in the pit to bring antic life to Britten’s comic opera.