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The paintings of Victor Vasarely are brought to life in dance at the Bartók Spring International Arts Weeks festival.   

With a convoluted production and uneven cast, Tamás Pál in the pit and Klára Kolonits as Erzsébet Szilágyi prove to be the highlights of the performance of this Erkel classic.

Opening the weekend that marked the 60th anniversary of the Hungarian revolution, The Mine (A Bánya), the first of Rautavaara's nine operas, dramatizes events from those turbulent times. 

Excitingly conducted and largely well-sung, this sumptuous but unfussy Turandot should please both traditionalist and adventurous operagoers.  

“If it ain’t broke, don’t fix it.” These wise words have fortunately not fallen on deaf ears at the Opéra de Paris, who have brought back their production of Leoš Janáček’s The Makropulos Affair, directed by Krzysztof Warlikowski and designed by Małgorzata Szczęśniak, first presented in Paris back in 2007.